Slow and Steady

…..wins the race.

I love the idea of slow cloth, takes the pressure off completely and makes the whole process so much more enjoyable (as long as it doesn’t degenerate into procrastination). It’s all in the mindset, I find. If you look at the process of mulling over the possibilities in a positive way it becomes a constructive thing to do. Of course there is still an important place for the frenetic when inspiration comes pouring out, because work that is totally spontaneous can have fantastic results.

Most of my current projects are of the ’slow’ variety.

I am still working on my ’sea angels’ and finding many possibilities opening up as ideas are sparked from viewing lots of creative blogs.

I am also still working on my ‘killed catalogues’, a new idea for which was sparked off by Heather’s fantastic chessmen.

Here are a couple of great ATC’s we have swapped.

On the left is Gillian’s first try at ATC’s, very interesting textures, and on the right the amazingly talented Ebony’s sent to Claudia.

Claudia’s return ATC to Ebony, which should have arrived by now (which I can’t find a photo of, whoops) was part of this random felting she did at our March textile group. Claudia used her ATC window to choose the sections she wanted to cut out. She chose some colours of machine embroidery rayon and had fun FME’ing the circles and outlines. I always make sure Claudia puts on the safety glasses for this stage in case she breaks a needle. She also chose one to finish and send off to Val (forgot to scan that one too!!)

Here are a few more of Claudia’s in production.

I have been also slowly continuing with the Stitch Explorer for April and May. April was Casalguido embroidery and May was needleweaving. These two are complementary styles of stitching so I decided to combine them for this sampler.

The first stage, casalguido or padded raised stem band stitch, shows stranded cotton laid down, couched with sewing thread and then satin stitched with more stranded cotton. The perpendicular stitches are then placed in the second photo and I will try some cotton a broder to cover this with the final layer, stem stitch.

The base is four sided stitch using two strands of DMC. I will be doing some needlewoven autumn leaves in a hand dyed variegated pearl  bought from Sharon to finish off.

I found Effie Mitrofanis’ book a wonderful guide to this stitch, with clear directions and some inspiring contemporary embroidery.

I have also ordered Effie’s needleweaving book from the library as well, so I’m sure that will also contain some more great ideas and instructions.

Time to get off the computer and finish the housework, so I can sit and stitch!!

Cheers

Show and Tell

I have quite a bit to show and tell as I haven’t blogged for a couple of weeks.

Firstly we received some amazing swaps from Val in the mail. Val sent the heart ATC for Claudia, which of course she absolutely loved. The postcard and ATC were for a swap we arranged on the theme of ‘Spring’. The postcard’s colours are just glorious, and she has used Beryl Tayler’s fabric paper techniques. My favourite, however is the ATC entitled mossy bark which has the most beautifully layered effect. Thank you so much Val, the returns will be winging their way over shortly.

Our last creative arts meeting in March was inspiring once again with all the beautiful pieces on display. Unfortunately I forgot the camera, but there are a few bits and pieces on the group blog.

Some of the group, with others from the guild, attended a Machine embroidery workshop with Fibre artist extraordinaire, Jan Preston on a very warm Saturday. The title of the workshop, ‘Free stitch with Nature’, was very apt. We had to take along some snippets from the garden, which we enclosed in solvy and free motion embroidered over. Jan had some beautiful skeleton leaves she had found in the Otways which she generously allowed us to use. It was a great, fun workshop and such a pleasure to spend the whole day stitching without interruption.

These are some leaves I stitched over and also a rose hip:

This next one was a dried agapantha flower head that I stomped flat and stitched and some bamboo wool that I stitched over as well:

I finally finished the triangular book I started weeks ago for Maggie Grey’s on-line workshops for her book, Textile translations.

The outside has stars torn from paper casting over a corrugated meat tray and some heated tyvek motifs. The colour is mostly from radiant rains and moonshadow mists sprayed over. The inside has some marbled paper pages stamped with ‘reach for the stars, feet on the ground’.

Our final challenge is to convert ‘killed’ catalogues into art. Maggie has the details on her blog if anyone wants to join in. Here is my catalogue (actually oldest daughter’s Cosmopolitan magazine), newly unearthed from the mulch under the rose bushes. Some people have had trouble with husbands and dogs trying to steal their catalogues away; my husband was quite happy to keep the mulch topped up over it and the rose thorns kept the dog away!!  I have sprayed it with vinegar to disinfect and will start playing once it is dry (might have to brush a bit more dirt off).

Cheers