International Postcard swap

At some stage I came across a call out from the Solihull Embroiderer’s Group for a postcard swap. After sharing with the GeeTAG group I decided to use some of the fun experimentation at a recent workshop in Hobart (Stitching & Beyond Group) with Alsyn Midgelow-Marsden to create a mini postcard version of an art piece I am working on for the S&B travelling Challenge Exhibition. Unfortunately I forgot to take a picture of the completed postcard before posting off! However I have received a wonderful postcard in return from Helen in Solihull:

Postcard from Solihull, UK

Also posted off recently has been my contribution to the ATASDA Faces and Flora Suitcase travelling exhibition. I am looking forward to organising the distribution of the travelling suitcase exhibition around Victoria, and perhaps Tasmania if requested-just need a local in Tasmania to organise some venues and groups to host the suitcase. This is the almost finished piece, just before adding a backing and facing:

Aunty Helen Brotherton

I love the effect of the beautiful natural dyed silk velvet from Arlee. The indicative piece of basket weaving is eucalyptus dyed silk tape and the clothing is from an op shop silk shirt. The glasses are a fabric printed from an indigenous artist.

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June 19, 2019 at 10:10 pm Leave a comment

Much Arty Fun

This post will be a catch up on how much fun I have been having over this month with making my faces quiltie for the ATASDA Travelling Suitcase Exhibition, Sketchbook Revival- a free crazy full on arts extravaganza, making my Challenge piece for Stitching & Beyond (Tasmania) travelling exhibition, making a postcard to post off to the Solihull embroiderer’s Group for a swap, attending a wonderful workshop-After Mirka Mora with Deb Brearley and another workshop with Carolyn Hawkins at the Bluebird Foundation.

Basket making with Carolyn, a drawing and watercolour from the session with Carla Sonheim and postcard in process:

After Mirka Mora:

After Mirka Mora

And the two travelling pieces in process: some hand stitching needed on the Faces piece to knock back the colour before I back and bind it to send off this week and the base level for Ancient Strata .

In progress

May 26, 2019 at 7:50 pm Leave a comment

Slashing & burning with Alsyn

During the school holidays I had a little trip to Hobart for a 4 day workshop with Alsyn Midgelow-Marsden, organised by the Stitching & Beyond textile art group. Alsyn is from the UK, lives in NZ and is often in Australia to run workshops.

Before slash and burn

Alsyn was also at Ballarat in April this year (where I had a fabulous workshop with Claire Benn last year) however I decided on a change of scenery, Hobart is so easy to get to from Melbourne and I love visiting the city.

S&B are based in Hobart but welcome members from all over. To participate in one of their many excellent workshops you need to be a member (only $20 a year). I booked an Airbnb with a fabulous host in a beautiful old restored home in New Town, next door to the amazing Royal Tasmanian Botanic Gardens. I arrived a day early for the workshop, dropped my bags, walked along the track to the city, bought a green card from the very helpful Metro Shop and bused down to Kingston Beach to visit the fantastic store Wafu Works. I couldn’t go too crazy as my luggage was already full of paraphernalia for the workshop, however I did purchase a few little bits and pieces including some beautiful paper, a calligraphy brush, some grey boro thread, indigo fabrics and vintage indigo scraps.

Nuno felt on silk

The first two days of our workshop were spent working on techniques and building up samples. Lots of slashing-soldering iron, burning and heating-gas tea light candles, camp stove and blow torch, stitching and felting-needle and wet and colouring silk and metal. The final two days were to TIF (take it further) and develop the elements for a piece of work. Chris (one of the S&B organisers) suggested we may like to create an A3 piece to enter into the S&B Challenge exhibition which will travel around Tasmania (which is my aim). My inspiration for the workshop was this photo of The Bluff:

Barwon Heads Bluff

Thank you to Alsyn for a wonderful 4 days, I now have enough elements to make a series!

Possible elements

Also thank you to Chris and the other S&B members for their wonderful hospitality and organisation. I had a great time and will definitely return.

April 22, 2019 at 11:01 am 2 comments

White line printing with Sandy Webster

Beach!

Sandy Webster is an accomplished artist from the US who was kind enough to fit in our workshop before returning home. Day One was cutting the first woodblock and printing, first print on the right, lots of mistakes to learn from! I will experiment a little more with this block- have added some dremel holes and will change up the colours, print individual ones as well.

Weedy seadragon

Day two, a little better on the printing skills, not totally happy with the carving from the original sketch-the original was more floaty and this looks rather heavy but the tools I had were not small enough for really fine detail. I will also experiment a little more with this- try with a turquoise background.

Thank you Sandy for a very intensive learning experience, practice makes perfect as demonstrated by some of the more experienced printmakers in the group. And thank you to Kerrie at Studio@54, you always have wonderful hospitality and workshops.

March 31, 2019 at 7:16 pm 1 comment

Inspiring day at the School of Lost Arts

I have enjoyed a wonderful, inspirational day on the principles of biophilic design, patterns and principles at the School of Lost Arts as a part of Melbourne Design Week. The day began with the first of several very inspiring speakers, Dr Mary-Jane Walker, a biologist and artist who, along with her family, owns the magnificent ‘saved from development’ property, the School of Lost Arts.

Biophilic design is a very important concept which could be the basis of, not only the wellbeing of all urbanites, but also the saving of this planet of ours. I had a crash course in biophilic ‘patterns’ with Dr Phillip Roos from Deakin Geelong Waterfront.

Unfortunately I could only attend two of the sessions on offer, it was a pity to miss any of them, however the image transfer onto birch plywood was a wonderful, creative activity with designer Nicola Cerini in Mary-Jane’s beautiful garden art studio. Using Nicola’s pre-prepared designs, we could transfer these to birch plywood using two different techniques.

Nicola’s images

Phil abstracted the designs beautifully. Below are some shots of the variety of boards produced in just an hour:

Birch ply honeycomb

My design was pretty straightforward, the idea is to go home and produce some more of our own designs, but I am thinking this could make a cute little 3 legged side table:

My kookaburras

And my t-shirt arrived from the Mirka for Melbourne Pozible campaign and fits well:

Mirka for Melbourne

March 23, 2019 at 9:26 pm 1 comment

Gelli printing and seadragons

Our GeeTAG meeting for March was a fun experimentation with gelli printing using texture and a stencil of a seadragon.

Seadragon stencils
Gelli print texture


March 10, 2019 at 9:59 pm Leave a comment

Art dresses on exhibit

I was very honoured to be asked by my Deakin University PhD supervisor, Shelley Hannigan, to participate in a group exhibition of “Art Dresses”. Originally Shelley created a series of knitted copper dresses for interior designer Beatrix Rowe for a selected designers exhibition at Como House. The dresses, with the addition of invitees, were exhibited at the Public Pedagogies Conference in November at Victoria University and then at the Beatrix Rowe Interior Design Gallery in Ormond Road, Elwood in December. The latter exhibition was very popular with passers by, I had many interesting discussions while gallerist one Sunday, and many of the items on display were sold including my art dress (very excited by this).

Art Dress in Beatrix Rowe Gallery

December 26, 2018 at 1:15 pm 2 comments

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